By Jacques Derrida,Peggy Kamuf,Kaira M. Cabañas
For Derrida, what used to be at stake was once what it intended for the museum to convey Artaud's drawings and for him to lecture on Artaud in that institutional context. pondering over the performative strength of Artaud's paintings and the relation among writing and drawing, Derrida addresses the multiplicity of Artaud's identities to confront the modernist museum's valorizing of originality. He channels Artaud's specter, speech, and fight opposed to illustration to aim to carry the museum chargeable for attempting to confine Artaud inside its different types. Artaud the Moma, as lecture and textual content, unearths the problem that Artaud posed to Derrida—and to artwork and its institutional background. a robust interjection into the museum halls, this paintings is an important second in Derrida's idea and an insightful, unsparing examining of a demanding author and artist.
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Extra resources for Artaud the Moma (Columbia Themes in Philosophy, Social Criticism, and the Arts)
Artaud the Moma (Columbia Themes in Philosophy, Social Criticism, and the Arts) by Jacques Derrida,Peggy Kamuf,Kaira M. Cabañas